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And it’s like: “Wow, this looks interesting.” You’re seeing something absolutely unreal and impractical, but everyone acts as though it’s normal. They interact with this space and they act absolutely normally, like this is the way it’s supposed to be. Then you put people in the forefront of your landscape who just live in this space. A little bit bizarre, a little bit strange, a little bit unreal. But not a big jump, just a dash of unreal. You take a real landscape and then you add something unreal. I was thinking about contrast between nature and manmade rational and irrational regular and irregular horizontal and vertical. I didn’t think too much about pragmatism. Did you set out to apply pragmatism and rationality to "Last Day"? When I think of fairy tales, I think of irrational concepts.
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It’s so interesting to move from ideas of pragmatism and rationality to talking about a fairy tale competition. And, it solves problems-not only for people going to use the building, but also people going to walk around it. It was meant to be here it was part of the environment it was a response to conditions of this environment and to the conditions of this place in general. After you see the diagrams, it feels like the building came naturally.
#How do you spell architect series#
With each of his projects he creates a series of 3-D diagrams where he explains step-by-step how he came up with his shapes. I’m very interested to understand what he does. His building is very pragmatic and very rational, and I’m also very rational and pragmatic, so this is why I love him a lot. How he works with problems, and how he solves problems in architectural ways. What about his work makes an impression on you? That natural wildness so affects the landscape. The authentic marshes, and the rock work, and even the ducks in the lake in the pond-it looks so real in the middle of this metropolis. It’s so beautiful here, especially around the. I was walking all day in Washington today looking at the landscapes. I have a lot of feelings about him but not too many words.īut right now, I’m really influenced by the Danish architect Bjarke Ingels, and also landscape in general. All his principles and ideas still apply today. I learned a lot from his works-I read all his books I was really addicted. When I studied in school it was American architect Frank Lloyd Wright. caught up with Ponomarenko to talk to him more about his work and how he sees fantasy informing today's architecture. His out-of-this-world insertions into normal scenes aren't just stunning-they also offer commentary on how machines reshape their environments. In their world, those looking to leave oppression and inequality behind can live in the clouds-specifically in shelters balanced on thin stilts high above city skylines.īut the night went to Ukrainian architect Mykhailo "Misha" Ponomarenko who took first for his entry, "Last Day." Ponomarenko's work playfully imagines what would happen if science fiction-like structures were inexplicably woven into ordinary landscapes. They announced the honorees at a live event at the National Building Museum hosted by NPR's Lauren Ober on Monday night.įrench architects Ariane Merle d’Aubigné and Jean Maleyrat weren't able to attend in person, but the duo won third place for their submission “Up Above." Their entry dreams up a way for refugees to escape the horrors of the world by taking to the skies. Themes range from the deeply personal to the largest societal and environmental issues of the day.įor this year's competition, a jury of more than 20 leading architects, designers and storytellers came together to decide on four winners, in addition to 10 honorable mentions. To participate, entrants must submit original artwork and complementary fiction that re-images the world we live. By its very nature, the competition treats architects as worldbuilders. Now, the architectural community has turned to the tried-and-tested narrative form to provoke new innovations and interest in architecture through the Fairy Tales competition.Įntering its fourth year, the competition was first imagined up in 2013 by architectural thought-leader Blank Space in partnership with the National Building Museum. For millennia, the fairy tale's unique ability to communicate important lessons through the telling of fantastical tales has held audiences in rapture.